How To Play Jazz Piano Chords

Learning to interpret and play jazz piano chords is necessary whether you are a beginner or an expert musician. Jazz notes are not like ordinary chords, which are heard in most music styles. Playing jazz involves several notes, such as the major, diminished, minor and augmented chords. A basic understanding of music may help, but playing with a swing rhythm is even more necessary in playing this style of music.

Making up rhythms spontaneously is necessary when playing the piano. Musicians who are naturally talented in improvising will find it easier to learn this playing style. It may help to have an innate ability to create rhythms on the spot.

The most helpful thing you can do to sharpen your craft as a musician is to listen. Playing records from great musicians creates a deeper enjoyment for this music style. Listen to any record you can find, even those from the swing era. Fusion artists add a touch of diversity to your listening experience. You can even pick up a few pointers from up-and-coming musicians.

There are countless ways to interpret these instrument notes. The best thing about this style of music is that it can be played in a variety of ways. Depending on the mood of the musician, the same song can be performed in many different ways. Improvisation is a key factor when playing. The same piece can be performed several times, yet it would always come out differently.

One must know the most basic musical instrument notes before he can play. Unlike other genres, this style of music involves more than just basic minor or major notes. One of the most commonly used notes is the sixth. Chord charts may present this chord as Cadd6 or C6. This sound is produced by playing A-G-E-C at the same time.

The 7th is another popular note. This is played by adding the 7th note of the scale, then lowering it by a half-step. The major 7th, on the other hand, requires the player to add the 7th note of the scale to the original chord. These two notes are often mixed up. You will learn to tell them apart with more practice.

Remember to keep practicing even if your instrument-playing sounds terrible at first. It does not have to come out perfectly during the first few tries. Your efforts will be rewarded with enough time and practice. Just relax and let loose. Soon, you will notice that you are playing without even thinking. Remember that this style of music is all about spontaneity. 

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The Perfect Pitch Review – An Overview of Absolute Pitch

The ability to identify or replicate a certain tone without the need to refer to an external source is commonly labeled as perfect pitch.

It can be done verbally or through other codes like sensorimotor responses or auditory imagery. What this means is that without the need for a musical code, a musician from an auditory tradition is capable of demonstrating AP. There are those who are capable of demonstrating both relative and absolute pitches. The two are equally important when learning, listening and practicing music. Still, there are those who lean towards different strategies to hone those skills. 

It is important to note that absolute pitch is not absolute, meaning those who possess this quality do so in different degrees. There are those who can name a specific pitch played on an instrument (A, G#, Gm). Other abilities identifying a perfect pitch include: 

·         Identifying tones of a chord or a tonal mass

·         Sing a specific pitch without the need for an external standard

·         Identify and name the common noises heard everyday

·         Without the need for an external reference, can name a key of a tone just by hearing the sound

Evidence shows that most absolute listeners were able to identify the C-major tone without any problem and more quickly compared to the other five “black key tones” except for B. A research performed by Dutch non-musicians have reached the conclusion that most people are more inclined to use the C-major during an ordinary speech, more prominently on syllables that speak of emphasis. 

However, contrary to what some people may believe, an absolute pitch is not necessary for people to develop exceptional talent in the field of music. Although musicians and composers disagree in the importance of absolute pitch to overall musical quality, the fact is, history has been unable to prove whether notable musicians and composers possess absolute pitch or not. During the Baroque and Classical eras, only Mozart has been hailed as having absolute pitch, supported by historical evidence. It was said that the famous musician developed the talent when he was 3 years old. Experts claim that Beethoven also had perfect pitch; the conclusion was derived from the fact that he was still able to compose beautiful music even after losing his hearing. 

At six years of age, Nicolas Slonimsky was hailed to have perfect pitch, leading his aunt – Isabelle Vengerova – to give him music lessons. The same goes for Keith Jarrett, a jazz pianist whose absolute pitch was discovered by his parents when he was three. 

The ability to transpose is also believed to be influenced by absolute pitch with musicians more concerned with a specific note rather than the characteristics shown by the notation. 

It seems that one of the factors that influence absolute pitch is a person’s cultural exposure.

One example of this is the European society which has produced very little individuals with absolute pitch, so much so that musicians who claim to possess the ability are initially doubted.